Projects 41-60 | Synthographic Artwork by David Name

Corpus

A study of the male body as physical matter — weight, volume, structure, density. Generated with Flux.2 Pro by Black Forest Labs, these synthographs track how bodies hold themselves upright, submit to gravity, and occupy space. Drawing-based aesthetics strip away performance, leaving mass, balance, and physical presence.

EAT ME DRINK ME

An expensive 18-course synthographic tasting menu that appeals, seduces, unsettles, and ultimately refuses consumption. Drawing on the aesthetics of modern haute cuisine, the project traces a quiet descent from appetite to refusal, and explores how precision, excess, and polish can quietly turn desire into doubt.

Morphos

A single apple, held constant — form persists while material changes. Using Flux.2 Pro with a stabilising reference, the object is reconstructed eighteen times as its surface migrates through glass, ceramic, wood, metal, ink, pencil, and paint. Not edits, but rewrites: structure sustained, substance reinvented.

Anthos v2

A return to floral still life rendered with artificial intelligence — bouquets that are neither real nor false, but touched by time, imperfection, and probability. Where the original Anthos series froze beauty in polish, this update lets uncertainty surface: heavier petals, stranger blooms, and a quiet, painterly gravity.

Osuneko

There are many ways to skin a cat. A single character is held constant while style, medium, and resolution shift around him. Across eighteen images and a looping video, a feral, unimpressed cat moves from sketch to 3D presence. Less a workflow than a beautifully engineered fiction about identity, consistency, and becoming.

Soma

Bodies shaped by AI inhabit abstracted palaestra spaces, where classical proportion meets contemporary self-awareness. Graphite architecture recedes while flesh stays tactile, turning each figure into a site of looking. From Greek balance to Roman power to algorithmic optimisation, Soma follows masculinity on a journey through time.

Vitrea

Glass tulips, generated with Flux.2 Flex, occupy a space between photography and sculpture. Their surfaces glow, refract, and persuade, inviting belief in objects that have no material origin. Drawing on Tulip mania and studio still life, Vitrea examines value, illusion, and the strange authority of objects that feel physically real.

Paradox

Hyper-real synthographic objects that appear materially precise yet have never existed. The images explore perception, plausibility, and presence, revealing how belief forms when visual cues align. Not illusions, but propositions: eighteen calm, sculptural fictions that feel undeniable, inviting viewers to question where reality ends and inference begins.

Biomorph

Impossible ceramic forms emerge under algorithmic pressure, their surfaces folding, rupturing, and crystallising as if governed by unfamiliar laws. Each biomorph appears discovered rather than made, a proposition where matter behaves speculatively. The series asks what reality means when form, matter, and logic can be rewritten.

Albion

Eighteen synthographic drawings of male figures in quiet countryside settings, rendered in graphite and delicate vegetable-dye washes. Exploring whiteness as surface, light, and idea, the series reflects on perception, bias, and image-making, where bodies, paper, and landscape merge into a single field of restrained, luminous appearances.

Glitch

Male portraits inhabit moments of signal failure, where distortion enters at the point of creation rather than after the fact. Colour intrusions, echoes, and fractures interrupt without erasing form. The figures remain composed, revealing beauty not despite interference, but through it — stability held inside instability.