GRAPHIC: from source mark to signal
This project expresses an interest in music-led graphic identity. It begins with a simple source mark: three compact horizontal rectangles stacked in a fixed order. It is deliberately reduced, almost blank, but already behaves like a system waiting to unfold. The webpage starts life as an audiovisual sequence: six main states, each divided into six rapid sub-states, moving from white-ground identity to black-ground signal. An accompanying eight-second electronic sound loop at 120bpm gives the sequence a physical pulse. When the main page appears, the sound stops, but its rhythm remains implied in the rectangles, their spacing, their repetitions, and their sudden changes of scale.
GRAPHIC imagines a visual identity without an actual client, product or institution, a coded mark generating its own world. Across the gallery, the mark passes through the languages of visual culture. It becomes logo, icon, card, sleeve, CD case, poster, T-shirt, merchandise table, screen, stage and architectural surface. The white-state palette gives the early images the clarity of print and design: navy, blue, yellow and pale grey held in careful relation. The black-state palette changes the register. Electric blue, violet, pale grey, deep blue and chartreuse turn the same grammar into light, voltage and display. Music is central here, not as illustration, but as structure: repetition, sequence, tempo, transmission, and performance.
As the series develops, the source mark begins to lose its readable form. What remains is its behaviour: bars, fragments, intervals, alignments, signals. The rectangles leave the flat page and enter clothing, bodies, screens, rooms and dark performance spaces. They become something to wear, something to stand before, something to walk through, something that might continue after the event has ended. In the final images, the logo is no longer present as a logo at all. It has dissolved into atmosphere. GRAPHIC is a small design system rehearsing its own disappearance: a mark transformed into rhythm, environment and emitted light. The final result is more than the sum of the prompts. Refresh the page to start again.
Gallery
"Tomorrow belongs to those who can hear it coming." — David Bowie